New Void - The Movie is the result of a performative act of procedural and conceptual

deconstruction of the cinema language.

The artist chooses not to use a camera as a tool for the production of images, but an

Easypix handheld scanner applied directly on the screen of his 15.4” Macbook Pro.

The artist moves from Gaspar Noe’s film Enter the Void (2009), from which he acquired

the new images as raw material. This appropriation process, which almost quashes

the aesthetic references of its source, creates the frames needed to build the narrative

structure of the new film.

The result is a refined and complex conceptual operation that generates a film full

of autobiographical references and somehow re-discusses, through its protagonist

Rasco, the role and responsibility of the artist in the production system of images and

works of art.

The film sees the collaboration of Enrico Boccioletti ft. Death in Plains, who created the

original soundtrack and sound, and, for the screenplay, Ana Miranda Shametaj, from the

theatre company Kokoschka Revival.