VISIO Moving Images in Europe Since the 2010s

VISIO – Moving Images in Europe since the 2010s is a book intended to contribute to the international debate on moving images by disseminating the results of over a decade of research and conversations. 

The book brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010. New essays and conversations reflect on radical technological and poetic transformations in the works of the generation of digital native artists, adhering to the shared processes developed during the first twelve editions of VISIO – European Programme on Artists’ Moving Images, a research, production and residency project promoted and organized by Lo schermo dell’arte in Florence. 

The book features original contributions from twenty-three authors who have participated in the program over the years: Antonia Alampi, Erika Balsom, Andrea Bellini, Leonardo Bigazzi, Federica Bueti, Beatrice Bulgari, Barbara Casavecchia, Sophie Cavoulacos, Manuel Cirauqui, Ilaria Gianni, Hassan Khan, Oliver Laric, Maria Lind, Andrea Lissoni, Philippe-Alain Michaud, Han Nefkens, Emily Pethick, Julian Ross, Aura Satz, Hito Steyerl, Bianca Stoppani, Robert Trafford, Valentine Umansky, and Francesco Urbano Ragazzi.

The volume is divided into two main sections: the first reflects the theoretical and discursive approach of VISIO by alternating essays and conversations; the second compiles a large archive of the first twelve editions of VISIO.

The texts investigate various topics: the questioning of a European identity; the accessibility and role of academic institutions and residences; the evolving significance of images in the digital age; the virtual realm as an exhibition and research space; the impact of documentary practices on contemporary production; the rise of investigative aesthetics and exhibitions as a medium to renegotiate truth; the commodification of digital images and their influence on power consumption; the shifts in curatorial approach to physical and digital spaces; a focus on the practices of VISIO generation artists; and how public and private institutions commission and collect moving image today.

This publication has been made possible through the support of Regione Toscana | Giovanisì | Toscanaincontemporanea2022, Fondazione CR Firenze, Fondazione Palazzo Strozzi, Passerelle Centre d’Art Contemporain, Institut français Firenze and Famiglia Cecchi.