The three featured films started out as multi-channel audiovisiual installations projected on large screens, and are linked by their settings – architectural and natural landscapes – which are both background and thematic motives, closely bound to the presence of a wandering enigmatic figure incarnated by actress Vanessa Myrie. While “Baltimore” constitutes a selfstanding work, “True North” and “The Leopard” (which in the installational version was titled Western Union: Small Boats, 2007) belong to a trilogy.
“True North” liberally adapts the story of Afro-American explorer Matthew Henson, who was among the first to reach the North Pole with Robert E. Peary. Filmed among the glaciers and seas around Iceland and in the ice hotel at Jukkasjärvi, Sweden, Julien’s film tackles the theme of polar expeditions, drawing inspiration from an interview with Henson and from Lisa E. Bloom’s book “Gender On Ice: American Ideologies of Polar Expeditions” (1993), an interdisciplinary study of polar expeditions from a feminist perspective.