Lacerate blends elements of realism with a dreamlike, symbolic dimension, portraying the extreme decision of a woman who turns from victim into executioner. In a series of mises-enscène shot only in natural light, we see a domestic setting overrun by a pack of dogs that roam around restlessly, attacking objects and furniture. The interior of this home is a mental space, violated and lacerated like a body that has undergone violence. Fruit, game, and remnants of food are arranged like still lifes, with allegorical elements evoking the precariousness of life and the loss of innocence. It is a suspended, hostile ecosystem, where the brutality suffered by other species is transferred by osmosis to human beings. Historically symbols of loyalty to their master, the dogs here rebel and become the woman’s guardians, supporting and protecting her in the process of liberation from her persecutor.