The three featured films started out as multi-channel audiovisiual installations projected on large screens, and are linked by their settings – architectural and natural landscapes – which are both background and thematic motives, closely bound to the presence of a wandering enigmatic figure incarnated by actress Vanessa Myrie. While Baltimore constitutes a selfstanding work, True North and The Leopard (which in the installational version was titled Western Union: Small Boats, 2007) belong to a trilogy.
Inspired by “blaxploitation movies”, Baltimore is an homage to African-American actor/director Melvin Van Peebles, who pioneered the genre with Sweet Sweetback’s Baadasssss Song (1971). Against a futuristic setting, we follow Van Peebles, as himself, and his mysterious antagonist, Afro Cyborg (played by Vanessa Myrie), through the spaces of the Walters Art Museum, the Contemporary Museum and the Great Blacks in Wax Museum: three of the city’s emblematic places, pulled together by the artist in a fascinating, bizarre virtual trail. The film won the Grand Jury Prize at the 2003 KunstFilm Biennale in Cologne.