He Said, We Must Forget

Originally conceived as a two-channel installation, He Said, We Must Forget uses images collected over the course of an entire year, two films run in parallel; they intersect and oppose each other, one undoing what the other brings forward with a technique based on hand-painting. Through fragments of images, Brahim tries to understand involuntarily whether it is possible to forget certain things in order to move ahead and how memories, and access to them, become blocked. An invitation to contemplate about the limits of human memory, its longevity, and the delicate boundary between reality and imagination.