Skip to content

Download our APP to rate this film or add it to your wishlist!

Free APP available for iOS and Android devices on the App Store and Google Play

Among the Palms, the Bomb, or: Looking for Reflections in the Toxic Field of Plenty

by Lukas Marxt e Vanja Smiljanic
Austria, Germany, 2024, 85’
Presented at the 17th edition of Lo schermo dell’arte, 2024
SCREENPLAY, EDITING, PRODUCERS: Lukas Marxt, Vanja Smiljanic
PHOTOGRAPHY: Lukas Marxt
SOUND: Markus Zilz
PRODUCTION COMPANY: s u n³b°u°r°s t FILM
DISTRIBUTION COMPANY: sixpackfilm
ov: English; st: Italian
Since 2017, the Austrian artist Lukas Marxt has spent a considerable amount of time in Southern California, where he studied the Salton Sea, a unique ecosystem where, in just four years, the water level has fallen by a good half a meter, allowing for predictions about when it will completely dry up. The Salton Sea is also the site where the United States tested numerous atomic bombs during the final phases of World War II and and the Cold War, initially in preparation for the Hiroshima and Nagasaki bombings, later as training for missions that fortunately never took place. In Among the Palms, created in collaboration with Serbian artist Vanja Smiljanic, the sociopolitical implications surrounding this particular ecosystem emerge, such as intensive agriculture and the consequent exploitation of illegal agricultural workers from Latin America, who then seek refuge in Native American reservations. The film begins in Utah, where military planes once took off, and in the town of Wendover, where the Nuclear Museum that preserves “Fat Man” and “Little Boy,” the models of the two atomic bombs that destroyed Hiroshima and Nagasaki. Then, moving south to California, the artists interview local experts who explain the landscape and history, as well as members of the Torres Martinez Desert Cahuilla Indians, who were victims of genocide in the 19th century. Their survivors now recall the healing powers of plants and how they were part of a life closely connected with nature that once grew around the salty waters of the Salton Sea. Today, the area is covered by saltbush, and beneath the surface, ticks the uranium from the Cold War.
Lukas Marxt (Austria 1983, based between Cologne and Graz) is an artist and a filmmaker who has been sharing his research in the visual art environment as well as in the cinema context. His works have been featured in numerous solo and group exhibitions, most recently at the Torrance Art Museum, Los Angeles; Biennial of Painting, Museum Dhondt-Dhaenens, Belgium; Museum of Modern and Contemporary Art Rijeka. His films have been presented in numerous International Film Festivals including Berlinale; Curtas Vila do Conde; Gijón International Film Festival where he received the Principado de Asturias prize for the best short film.

Vanja Smiljanić (Serbia 1986, based between Lisbon and Cologne) is a visual and performance artist. She has shown her work in various festivals and institutions, including Schauspiel Köln, Cologne; Centrale Fies and Padiglione d’Arte Contemporanea, Milan.

Selected Filmography
Lukas Marxt: 2023 Valley Pride; 2022 Marine Target; 2021 Beautifully maintained and well located; 2020 Imperial Irrigation; 2019 Ralfs Farben/ Ralf´s Colors; Loading PitM; 2018 Victoria; Imperial Valley (cultivated run​-off)