by Nathaniel Kahn, United States 2018, 99'
| SCREENPLAY: Bob Richman | SOUND MIXING: Eddie O'Conner | |
| PHOTOGRAPHY: Bob Richman | PRODUCER: Jennifer Blei Stockman, Debi Wisch, Carla Solomon | |
| EDITING: Brad Fuller ACE, Phillip, Schopper ACE | LANGUAGE: English |
Presented at Lo schermo dell'arte Film Festival 2018
The film investigates the transformation of the art world into a multimillion-dollar market, through interviews with artists - including Jeff Koons, whose works are the most highly priced in the world; and Larry Poons, who lives as a recluse in his country home and strongly criticizes the ruthless laws of the same market that made him rich in the '70s - and curators, collectors and art dealers.
The Price of Everything penetrates the superficial world of auctions and trades, such as those atSotheby's and Christie's, where old and new works are sold at prices ten times higher than they would have brought fifteen years ago. An élite of private collectors, art lovers and wealthy entrepreneurs benefits. In the last three decades, they’ve turned the art market into a stock market, where the highest price denotes the highest artistic quality. But can art really be evaluated by money?
The film investigates the transformation of the art world into a multimillion-dollar market, through interviews with artists - including Jeff Koons, whose works are the most highly priced in the world; and Larry Poons, who lives as a recluse in his country home and strongly criticizes the ruthless laws of the same market that made him rich in the '70s - and curators, collectors and art dealers.
The Price of Everything penetrates the superficial world of auctions and trades, such as those atSotheby's and Christie's, where old and new works are sold at prices ten times higher than they would have brought fifteen years ago. An élite of private collectors, art lovers and wealthy entrepreneurs benefits. In the last three decades, they’ve turned the art market into a stock market, where the highest price denotes the highest artistic quality. But can art really be evaluated by money?
Nathaniel Kahn
Selcted Filmography
2017 The Dark Side of the Sun 2016 Telescope 2011 Earth 2050: The Future of Energy 2006 Two Hands: The Leon Fleisher Story